The color that the haiku-style verses bring to nature is exceptional in this Soviet short film, unfortunately preserved in Betamax or VHS format. From the first frame, using the rhetorical trope of personification, it fills the viewer with vivid feelings why the snow becomes objectified and is as if it swallows whatever it is with white: "And fields, and mountains, the snow silently stole everything. Immediately it became empty." 

Ver el corto: https://wp.me/aguJCZ-dj

There is no information available as to whether screenwriter Arif Məhərrəmov authored the haikus or merely translated them into Azerbaijani and Russian at the point of the fall of the Soviet Union. The 8 haiks or verses transcend the material richness of nature "the rain fell in torrents...", to spread into existential metaphysics "who would not like the freshness of the flowers"?, where feelings orbit around the landscape and the bucolic seconds that pass dissolve into the hoarse church organ and the murmur of the shamisen strings. It is known that the chrysanthemum is associated with the brevity of life, it could symbolize and here it is notorious, mortality or fleeting beauty, recurring themes in haiku poetry.